Let’s go to the movies! Opening this week!


Kino Marquee is a new initiative that creates “virtual cinemas” for temporarily closed independent theaters. Local audiences support their community’s theater in these uncertain times by buying a virtual “ticket” to watch the film. Their ticket purchases directly support their local art house as all revenue is being shared between distributor and exhibitor, just as if they bought their ticket at the theater’s box office. Kino Marquee currently works with over 200 art house theaters across the nation.

To learn more about how the idea of Virtual Cinemas work we had an on camera interview with Nicholas Kemp is the Director of Theatrical Marketing at Kino Lorber:

VIRTUAL OPENING 4/24: Restoration of Nancy Kelly’s feminist western THOUSAND PIECES OF GOLD (1990) w/ Rosalind Chao & Chris Cooper
An undersung gem of 90s American independent filmmaking, Nancy Kelly’s Thousand Pieces of Gold offers a feminist lens on the classic Manifest Destiny tale. Adapted by filmmaker and writer Anne Makepeace from Ruthanne Lum McCunn’s historical 1981 novel, the film tells the story of Lalu, a young Chinese woman (Chao) sold into slavery by her own parents, trafficked to a nefarious saloon keeper in Idaho’s gold country, then won in a poker game by a man who eventually gains her trust (Cooper). Drawing comparisons to John Ford, Kelly, an acclaimed documentarian making her fiction debut, subverts the Western genre’s patriarchal and misogynistic worldview, instead lending a nuanced, emotional, and profoundly empathetic perspective to this story of frontier survival and immigrant isolation. — BAM

Nicholas Kemp is the Director of Theatrical Marketing at Kino Lorber, a leading art-house film distributor based in New York. He oversees campaigns for the company’s 25+ theatrical releases each year, including foreign, independent, and documentary films, as well as repertory releases of restored classics. In response to the COVID-19 pandemic, he helped the company launch their Kino Marquee initiative, pioneering “virtual theatrical” releases of art house films with revenue shares that allow audiences to support their local independent theaters. The first film launched on the platform, Cannes Jury Prize-winning Brazilian film Bacurau, has already been booked by over 150 theaters. He previously worked for five years in the Digital and Marketing departments of the Film Society of Lincoln Center and, before that, freelanced for a variety of websites including indie film champions Hammer to Nail. He graduated from Columbia University and lives in Brooklyn.


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Cinema Without Borders' reporters from around the globe search and find international cinema content for our audience. when an outside source is used, we provide you with a link to the original source at the end of the article

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