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Social Justice Cinema

How the arts can be used as a tool for social justice

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By on CinéEqual

When we consider ways to initiate social change, we frequently favour legislative changes and enactments. We think of political activism and agitation as mechanisms of social justice. We emphasise fund-raising and other forms of financial assistance. And we volunteer our time and services for the greater good, confident that it will make a dent in the numerous social challenges our society faces. While this is necessary, we are overlooking something. We seldom think about the arts and the imperative role it plays in breaking social barriers and bridging socially constructed differences. For many, art – in whatever form it appears…

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Screening of Open Bethlehem at the Social Justice Symposium

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By on CinéEqual

“Indivisible Justice Beyond Walls & Borders” is the theme of the 2018 J. Paul Taylor Social Justice Symposium. On Thursday, March 15, the symposium will include a full day of discussions, films and events at the ASNMSU Center for the Arts, 1000 E. University. On Wednesday, March 14, the public is invited to a pre-symposium community workshop by Christina Marín, from Phoenix College, from 7:30 to 9 p.m. at the Isabella M. Crouch Theatre. Access to the theater is available from the parking lot near Barnes and Noble. The symposium, hosted by NMSU’s College of Arts and Sciences, will showcase…

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MONDAYS AT RACINE, Documentary Short Oscar nominee

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By on CinéEqual

Mondays at Racine directed by Cynthia Wade is nominated for 2013 Best Documentary Short Film Oscar.  Every third Monday of the month, brassy Long Island, New York sisters Cynthia and Rachel open up their hair salon, called Racine, and offer free beauty services for women undergoing chemotherapy.  Determined to make their customers feel beautiful, the glamour duo knows that Mondays at Racine goes beyond purple painted toes or a frothy facial.  The sisters are determined to give women who are losing their hair, eyebrows and eyelashes a sense of normalcy and dignity in a traumatic and uncertain time. The story…

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Cynthia Wade talks about BORN SWEET

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By on CinéEqual

Cynthia Wade, director of Born Sweet, is an Oscar-winning documentary director. Her directing credits include the Sundance Special Jury Prize winning, Academy Award winning “Freeheld” (2007), IFC Channel’s “Living the Legacy” (2009), HBO’s five-time award winning “Shelter Dogs” (2004) and the Cinemax documentary “Grist for the Mill” (1999). As a cinematographer, Wade has shot and produced documentaries for Discovery, A&E;, PBS, Bravo, AMC, The History Channel and MTV. She holds a Masters Degree in Documentary Filmmaking from Stanford University.Bijan Tehrani: How did you first encounter the subject of Born Sweet? Cynthia Wade: I was actively looking for a new film,…

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Pennsylvania Festival To Screen Oscar Winning Freeheld

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By on CinéEqual

NEW HOPE, PA (March 6, 2008) – New Hope Celebrates, a an incorporated non-profit gay and lesbian marketing organization, will give a rare showing of Cynthia Wade’s Oscar-winning film “Freeheld” on the big screen on April 26. The documentary will serve as the centerpiece of the New Hope Celebrates film festival. Winner of the 2007 Academy Award for Best Documentary Short and a Special Jury Award at the 2007 Sundance Film Festival, “Freeheld” chronicles Detective Lieutenant Laurel Hester’s struggle to transfer her earned pension to her domestic partner, Stacie Andree. The film depicts the media frenzy, political repercussions and advocacy…

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Freeheld Wins the Best Documentary Short Film Award

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By on CinéEqual, Conversations

Hollywood – February 24 – Tonight Freeheld , directed by Cynthia Wade won the Best Documentary Short Film Award. Here is a Cinema Without Borders exclusive interview with Cynthia Wade. Cynthia Wade is a NYC-based documentary filmmaker. Her short documentary “Freeheld” won a Special Jury Prize at the 2007 Sundance Film Festival, and her award-winning HBO documentary “Shelter Dogs” was broadcast in seven countries. Wade directed the 1999 Cinemax Reel Life documentary “Grist For The Mill”, which The Hollywood Reporter called “a delight…full of quirky moments and clever humor” and Variety called “a jewel … extremely comical.” She was co-producer and…

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Ramin Bahrani talks about CHOP SHOP

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By on CinéEqual

Born and raised in the United States, Ramin Bahrani studied film at Columbia University in New York City before moving to his parents’ homeland of Iran, where he lived for three years. After spending time in Paris, he eventually returned to the United States to begin work on his first feature film, MAN PUSH CART (2005). The film premiered at the Venice Film Festival (2005) and was selected for the Sundance Film Festival (2006) before being released theatrically to critical acclaim. His second feature film, CHOP SHOP (2007) premiered at the Cannes Film Festival and screened next at The Toronto…

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Who is doing the pushing, the man or the cart?

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By on CinéEqual

Born and raised in the United States, Ramin Bahrani studied film at Columbia University in New York City before moving to his parents’ homeland of Iran, where he lived for three years. After spending time in Paris, he eventually returned to the United States to begin work on his first feature film, MAN PUSH CART (2005). The film premiered at the Venice Film Festival (2005) and was selected for the Sundance Film Festival (2006) before being released theatrically to critical acclaim. His second feature film, CHOP SHOP (2007) premiered at the Cannes Film Festival. Bahrani is currently finishing his third…

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A conversation with director of Freeheld

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By on CinéEqual

Cynthia Wade is a NYC-based documentary filmmaker. Her short documentary “Freeheld” won a Special Jury Prize at the 2007 Sundance Film Festival, and seven other film awards in major cities such as New York, Boston, Los Angeles, Seattle and Denver. Wade’s five-time award winning HBO documentary “Shelter Dogs” was broadcast in seven countries. Wade directed the 1999 Cinemax Reel Life documentary “Grist For The Mill”, which The Hollywood Reporter called “a delight…full of quirky moments and clever humor” and Variety called “a jewel … extremely comical.” She was co-producer and principal verite cinematographer for the 1998 PBS documentary “Taken In:…

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To be a transsexual in Iran, an interview with director of Birthday Negin Kianfar

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By on CinéEqual

In 1976, Ayatollah Khomeini, imposed a fatwa to allow people with hormonal disorders to change sex if they wished, because the Koran doesn’t say anything on the subject. Transsexuals don’t have to fear prosecution and they even can change their birth certificates. But the challenge is the traditional, religious Iranian society in which the trans-sexuality is still concerned as a disease.The Birthday follows a young man who decides to become a woman. His conservative parents try to come to terms with their son’s decision and after a lot of discussions they accept the new sexual identity of their son, who…

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