RED Digital Cinema is heading to CINEC from September 17-19 with Teltec (Hall 2, Stand C01). Those attending the show will have an opportunity to see RED’s entire line of DSMC2TM cameras – RED RAVEN™ 4.5K, SCARLET-W 5K, WEAPON® 6K, WEAPON 8K VV, and the limited edition white WEAPON 8K S35 featuring RED’s newest sensor, HELIUM™.

On September 17 at 1:15 pm, Markus Förderer BVK, will share his recent experience shooting the feature filmIndependence Day: Resurgence on RED cameras at room K01. Förderer will review the production’s onset workflow, his personal workflow with REDCODE® RAW files in REDCINE-X, and showcase the industry-leading RED WEAPON 8K VV camera.

All of RED’s DSMC2 cameras offer superior image quality, incredible dynamic range and are capable of shooting simultaneously in REDCODE RAW and Apple ProRes or Avid DNxHD/HR. And WEAPONs with a RED DRAGON 8K VV sensor boast up to 75 fps at 8K resolution, 35 megapixel stills from motion, 300 fps at 2K resolution and incredibly fast data speeds (up to 300 MB/s)

RED Digital Cinema is a leading manufacturer of professional digital cameras and accessories. In 2006, RED Digital Cinema began a revolution with the 4K RED ONE® digital cinema camera. By 2008, the camera that changed cinema also began to change the world of stills. RED’s DSMC® (Digital Still and Motion Camera) system allows the same camera being used to shoot features like “The Hobbit” trilogy and “Gone Girl” — as well as the Emmy-winning “House of Cards” — to also be used to shoot covers for magazines such as “Vogue” and “Harper’s Bazaar”. In 2014, RED entered the broadcast space with the introduction of the REDCAST® Module that allows streaming live 4K while recording 6K R3D masters. RED continues to innovate with its recent debut of the newest members of the RED DRAGON family, the RED RAVEN, SCARLET-W and WEAPON cameras. These cameras combine compact and lightweight design with cutting edge performance, and the 6K WEAPON includes an option to upgrade to a RED DRAGON 8K VV sensor at a later date. Additionally, all of these cameras are capable of simultaneous on-board recording of REDCODE RAW and Apple ProRes or Avid DNxHD/HR. All RED cameras are built around a modular foundation that gives the flexibility of full customization for each shoot. Find information at


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